So, Game of Thrones is back, and I’ve been writing quite a lot about it. First, for Dear Television, I covered Arya Stark’s revenge plot and the idea of marginality on the show:
“Game of Thrones isn’t brave because it kills its protagonists. It’s brave because it doesn’t have any.”
And then, this week, in my debut essay for The Daily Beast, I wrote about That Thing That Happened To That One Character and the afterlives of TV deaths:
“While the loss of a major character obviously places a limit on narrative—one less character, one less narrative arc, one less set of possible combinations—these shows have become uncommonly invested in the possibilities opened up by an abrupt exit.”